![Views of Czech Republic, Bohemia: Caslav (Tschaslau) and Chomutov by Georg Braun & Frans Hogenberg: (1575) Art / Print / Poster | Trillium Antique Prints & Rare Books Views of Czech Republic, Bohemia: Caslav (Tschaslau) and Chomutov by Georg Braun & Frans Hogenberg: (1575) Art / Print / Poster | Trillium Antique Prints & Rare Books](https://pictures.abebooks.com/inventory/31209842854.jpg)
Views of Czech Republic, Bohemia: Caslav (Tschaslau) and Chomutov by Georg Braun & Frans Hogenberg: (1575) Art / Print / Poster | Trillium Antique Prints & Rare Books
![Visitation; Life of John the Baptist; Vita b. Ioannis Baptistae Graphicè Descript (...). Elisabet stands for her house. Behind her is Zecharius in the doorway. Left is to see Maria. She is Visitation; Life of John the Baptist; Vita b. Ioannis Baptistae Graphicè Descript (...). Elisabet stands for her house. Behind her is Zecharius in the doorway. Left is to see Maria. She is](https://c8.alamy.com/comp/2G3D67D/visitation-life-of-john-the-baptist-vita-b-ioannis-baptistae-graphic-descript-elisabet-stands-for-her-house-behind-her-is-zecharius-in-the-doorway-left-is-to-see-maria-she-is-wearing-a-stick-a-few-more-houses-in-a-mountainous-landscape-are-still-shown-in-the-distance-under-the-show-there-is-a-two-person-latin-text-with-the-description-of-the-visitation-from-luc-1-2G3D67D.jpg)
Visitation; Life of John the Baptist; Vita b. Ioannis Baptistae Graphicè Descript (...). Elisabet stands for her house. Behind her is Zecharius in the doorway. Left is to see Maria. She is
![One of those Lutherans we used to burn in Campo de' Fiori:” Engraving Sublimated Suffering in Counter-Reformation Rome in: Visualizing Sensuous Suffering and Affective Pain in Early Modern Europe and the Spanish One of those Lutherans we used to burn in Campo de' Fiori:” Engraving Sublimated Suffering in Counter-Reformation Rome in: Visualizing Sensuous Suffering and Affective Pain in Early Modern Europe and the Spanish](https://brill.com/view/book/edcoll/9789004360686/9789004360686_webready_content_m00021.jpg)
One of those Lutherans we used to burn in Campo de' Fiori:” Engraving Sublimated Suffering in Counter-Reformation Rome in: Visualizing Sensuous Suffering and Affective Pain in Early Modern Europe and the Spanish
![Heritage | Free Full-Text | Multi-Modal, Non-Invasive Investigation of Modern Colorants on Three Early Modern Prints by Maria Sibylla Merian Heritage | Free Full-Text | Multi-Modal, Non-Invasive Investigation of Modern Colorants on Three Early Modern Prints by Maria Sibylla Merian](https://www.mdpi.com/heritage/heritage-04-00088/article_deploy/html/images/heritage-04-00088-g001.png)
Heritage | Free Full-Text | Multi-Modal, Non-Invasive Investigation of Modern Colorants on Three Early Modern Prints by Maria Sibylla Merian
![Historical drawing from the 19th century, portrait of Count Ioannis Antonios Kapodistrias, Stock Photo, Picture And Rights Managed Image. Pic. IBR-2315175 | agefotostock Historical drawing from the 19th century, portrait of Count Ioannis Antonios Kapodistrias, Stock Photo, Picture And Rights Managed Image. Pic. IBR-2315175 | agefotostock](https://previews.agefotostock.com/previewimage/medibigoff/f54490805915d70fc4b13154f4c826a4/ibr-2315175.jpg)
Historical drawing from the 19th century, portrait of Count Ioannis Antonios Kapodistrias, Stock Photo, Picture And Rights Managed Image. Pic. IBR-2315175 | agefotostock
![The body of Christ is taken from the cross by Nikodemus and Joseph, helped by two anonymous figures. Maria, Mary Magdalene and Anonymous figures are on the ground at the body The body of Christ is taken from the cross by Nikodemus and Joseph, helped by two anonymous figures. Maria, Mary Magdalene and Anonymous figures are on the ground at the body](https://c8.alamy.com/comp/2G4H3YJ/the-body-of-christ-is-taken-from-the-cross-by-nikodemus-and-joseph-helped-by-two-anonymous-figures-maria-mary-magdalene-and-anonymous-figures-are-on-the-ground-at-the-body-of-christ-the-thorns-crown-is-in-a-basket-in-the-margin-a-four-line-caption-in-two-columns-in-latin-below-a-caption-in-latin-2G4H3YJ.jpg)
The body of Christ is taken from the cross by Nikodemus and Joseph, helped by two anonymous figures. Maria, Mary Magdalene and Anonymous figures are on the ground at the body
![File:The angel of the Annunciation. Engraving by H. Wierix after Wellcome V0034569.jpg - Wikimedia Commons File:The angel of the Annunciation. Engraving by H. Wierix after Wellcome V0034569.jpg - Wikimedia Commons](https://upload.wikimedia.org/wikipedia/commons/thumb/4/44/The_angel_of_the_Annunciation._Engraving_by_H._Wierix_after_Wellcome_V0034569.jpg/327px-The_angel_of_the_Annunciation._Engraving_by_H._Wierix_after_Wellcome_V0034569.jpg)
File:The angel of the Annunciation. Engraving by H. Wierix after Wellcome V0034569.jpg - Wikimedia Commons
![Allegorical representation of Maria Johanna, Duchess of Savoye Pop a throne on a base, around her attributes like a shield, a storm ram, a spear and a harness. On the left Allegorical representation of Maria Johanna, Duchess of Savoye Pop a throne on a base, around her attributes like a shield, a storm ram, a spear and a harness. On the left](https://c8.alamy.com/comp/2G4HC35/allegorical-representation-of-maria-johanna-duchess-of-savoye-pop-a-throne-on-a-base-around-her-attributes-like-a-shield-a-storm-ram-a-spear-and-a-harness-on-the-left-a-river-land-and-in-the-background-workers-and-a-castle-on-a-mountain-2G4HC35.jpg)
Allegorical representation of Maria Johanna, Duchess of Savoye Pop a throne on a base, around her attributes like a shield, a storm ram, a spear and a harness. On the left
![Santa Maria Maggiore from "Prospectus Locurum Urbis Romae Insign[ium]", 1666. Lievin Cruyl (Flemish, c. 1640-c. 1720). Etching Stock Photo - Alamy Santa Maria Maggiore from "Prospectus Locurum Urbis Romae Insign[ium]", 1666. Lievin Cruyl (Flemish, c. 1640-c. 1720). Etching Stock Photo - Alamy](https://c8.alamy.com/comp/2H0YE6F/santa-maria-maggiore-from-prospectus-locurum-urbis-romae-insign-ium-1666-lievin-cruyl-flemish-c-1640-c-1720-etching-2H0YE6F.jpg)